Cold Touch from Acid Madness 2023

In the realm of experimental music, where boundaries are pushed and conventions are shattered, Nguyen Duy Tri’s “Cold Touch” stands as a chilling testament to the genre’s potential. Released in 2023 as part of his album “Acid Madness,” this track isn’t for the faint of heart, but for those seeking a sonic adventure that challenges and enthralls. Let’s delve into the unsettling beauty of “Cold Touch,” exploring its chilling soundscapes, genre-bending elements, and lasting impact.

1. A Haunting Introduction:

The track opens with a whisper, a mere suggestion of melody that quickly descends into an eerie, distorted soundscape. This initial dissonance sets the tone for the entire experience, leaving the listener unsure of where the journey will lead.

2. Layers of Discordant Harmony:

“Cold Touch” doesn’t shy away from dissonance. Distorted synthesizers clash with unconventional percussion, creating a cacophony that is both unsettling and strangely captivating. Yet, amidst the chaos, there’s a sense of purpose, a deliberate manipulation of sound that builds towards a crescendo of controlled madness.

3. Defying Genre Definitions:

Nguyen Duy Tri masterfully blends elements of acid house, industrial, and even dark ambient music, creating a sound that defies easy categorization. This genre-bending approach further adds to the track’s unsettling nature, keeping the listener constantly guessing where the next sonic turn will take them.

4. A Journey into the Unconscious:

The music of “Cold Touch” feels less like a traditional composition and more like a descent into the subconscious. The chaotic soundscapes evoke a sense of unease and introspection, challenging the listener to confront their own inner darkness.

5. A Song for the Bold:

“Cold Touch” isn’t for everyone. Its abrasive nature and lack of traditional melody may alienate some listeners. However, for those seeking a truly unique and unsettling sonic experience, “Cold Touch” offers a rewarding journey into the depths of experimental music.

6. A Lasting Impact:

Even after the final distorted note fades away, “Cold Touch” lingers in the mind. The track’s unsettling beauty and genre-bending approach leave a lasting impression, prompting reflection and discussion. It’s a testament to Nguyen Duy Tri’s artistic vision and his ability to push the boundaries of what music can be.


“Cold Touch” isn’t just a song, it’s a sonic odyssey that dives into the darkest corners of human emotions and pushes the boundaries of music itself. Nguyen Duy Tri masterfully crafts a chilling atmosphere that lingers long after the last note fades, leaving a lasting impression on even the most seasoned listeners. Whether you find it unsettling or exhilarating, “Cold Touch” is a testament to the power of art to challenge, provoke, and leave a lasting mark.


  • Q: Who is Nguyen Duy Tri?

A: Nguyen Duy Tri is a Vietnamese music producer and composer known for his experimental and genre-bending sound. “Acid Madness” is his latest album, released in 2023.

  • Q: What genre is “Cold Touch”?

A: “Cold Touch” defies easy categorization, blending elements of acid house, industrial, and even dark ambient music. This genre-bending approach is a key part of the track’s unique soundscape.

  • Q: Is “Cold Touch” for everyone?

A: No, “Cold Touch” is not for everyone. Its abrasive nature and lack of traditional melody may be off-putting to some listeners. However, for those seeking a truly unique and unsettling sonic experience, it offers a rewarding journey.

  • Q: What is the meaning behind “Cold Touch”?

A: The song’s meaning is open to interpretation, but it likely explores themes of darkness, unease, and confronting the subconscious. The lack of lyrics allows each listener to find their own meaning within the soundscape.

  • Q: Where can I listen to “Cold Touch”?

A: You can find “Cold Touch” on various streaming platforms like Spotify, Apple Music, YouTube Music, and Amazon Music. You can also purchase the album “Acid Madness” to get the full listening experience.

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